Showing posts with label communication. Show all posts
Showing posts with label communication. Show all posts

Sunday, June 4, 2023

Writing Forums

 

 Writing Forums is a non-profit community managed writing environment. We provide an unlimited opportunity for writers and poets of all abilities to share their work and communicate with other writers and creative artists.

We offer an experience that is safe, welcoming and friendly, regardless of participation level, knowledge or skill. There are several opportunities for writers to exchange tips, engage in discussions about techniques, and grow in their craft. Participate in forum competitions that are exciting and helpful in building skill level! There's so much more to explore!

https://www.writingforums.com/

Saturday, July 13, 2019

Mood vs. Tense


Mood vs. Tense
By: Maeve Maddox
From: Daily Writing Tips

Many people are not quite clear as to the difference between the grammatical terms mood and tense. For example, I’ve seen such expressions as “subjunctive tense” and “progressive mood.”
Because both tense and mood have to do with verbs, the confused terminology is understandable. Tense, however, refers to time, whereas mood refers to manner of expression.

Tense
The three possible divisions of time are past, present, and future. For each, there is a corresponding verb tense:
Present: He walks now.
Past: Yesterday he walked.
Future: Tomorrow he will walk.

Each of these tenses has a corresponding complete tense: perfect, past perfect (pluperfect), and future perfect:
Perfect: He has walked every morning since Monday.
Past Perfect: He had walked a mile by the time we joined him.
Future Perfect: By tomorrow, he will have walked twenty miles.

Each of these tenses has a continuous or progressive form:
Present Continuous: I am still walking.
Past Continuous: I was still walking when you phoned.
Future Continuous: I shall/will be walking when you reach town.
Perfect Continuous: I have been walking since early morning.
Past Perfect Continuous: I had been walking for an hour when you phoned.
Future Perfect Continuous: When you see me, I shall have been walking for six hours.

Mood
Mood is the form of the verb that shows the mode or manner in which a thought is expressed. Mood distinguishes between an assertion, a wish, or a command. The corresponding moods are: Indicative (assertion), Subjunctive (wish), and Imperative (command).
Note: Unlike some languages, English does not have an “Interrogative Mood”; questions are formed by changing word order and not by altering the verb.

The word indicative derives from Latin indicare, “to declare or state.” Indicative Mood expresses an assertion, denial, or question about something:
Assertion: I liked him very much before he did that.
Denial: He is not going to remain on my list of friends.
Question: Will you continue to see him?

The word imperative derives from Latin imperare, “to command.” Imperative Mood expresses command, prohibition, entreaty, or advice:
Command: Go thou and do likewise.
Prohibition: Stay out of Mr. MacGregor’s garden!
Entreaty: Remember us in your prayers.
Advice: Beware of the dog.

The “true subjunctive” equivalent to the Latin Optative Mood (opare, “to wish”) is rare in modern English. Examples of the “true” subjunctive: “If I were king,” “God save the Queen!”
In most contexts dealing with unreal situations, speakers used a mixed subjunctive. The use of the auxiliaries may, might, should, and would creates a mixed subjunctive in which one verb is in subjunctive and another in indicative mood:
If I should see him, I will tell him.
He came that they might have life.
According to the Penguin Dictionary of English Grammar,
the distinctive subjunctive forms are now confined to the verb be and to the third-singular forms of other verbs; they are still common in American English, while in British English they are confined to very formal styles.

In American English, the subjunctive often occurs with the following verbs:
suggest: I suggest that she refuse his offer.
demand: They are demanding that he go to London for an interview.
propose: The father proposed that his son be locked up to teach him a lesson.
insist: We all insisted that he accept treatment.

British usage tends to use should in such constructions: I suggest that she should refuse his offer.

Friday, May 31, 2019

Uses of the Comma


A comma is a versatile punctuation mark, serving ten basic functions. Here’s an enumeration, with examples.
1. Separate the elements in a series: “Groucho, Harpo, and Chico developed the philosophy called Marxism.”
Many periodicals and websites, and most colloquially written books, omit the serial, or final, comma, but it is all but mandatory in formal writing and is recommended in all usage. As language maven Bryan Garner observes, “Omitting the serial comma may cause ambiguities, whereas including it never will.”
2. Separate coordinated independent clauses: “I like the Marx Brothers, but she thinks they’re too silly.” (An independent clause is one that can stand on its own as a sentence but is linked with another by a conjunction and/or a punctuation mark.)
Exceptions include sentences with closely linked clauses (“Go to the window and see who’s there”) and those with a compound predicate (“The Marx Brothers are known for their puns and their sight gags”).
3. Separate an introductory word (“Naturally, I agree with you”), phrase (“Last summer, I went on a long vacation”), or subordinate clause (“If you’re too busy now, wait until later”) from the remainder of the sentence.
4. Separate an optional parenthetical element from the remainder of the sentence. “We have, in a manner of speaking, won despite our loss.” (The phrase “in a manner of speaking” could also be set off by em dashes or parentheses, depending on whether the writer wishes to emphasize the interruption of the statement “We have won despite our loss” or wants to diminish it as an aside.)
5. Separate coordinate adjectives from each other: “I could really use a tall, cool drink right now.” (Do not separate non-coordinate adjectives with a comma; https://www.dailywritingtips.com/coordinate-and-noncoordinate-adjectives/ explains the difference between these two types of adjectives.)
6. Separate an attribution from a direct quotation: “She said, ‘Neither choice is very appealing’”; “‘That’s not my problem,’ he replied.” (A colon may be precede a formal pronouncement or an attribution that forms a complete thought, as in, “He had this to say: ‘Her point is irrelevant.” Omit punctuation when the attribution is implied, as in “Your response ‘Her point is irrelevant’ is evasive.”)
7. Separate a participial phrase or one lacking a verb from the remainder of the sentence: “Having said that, I still have my doubts”; “The deed done, we retreated to our hideout.”
8. Separate a salutation from a letter (“Dear friends,”) or a complimentary close from a signature in a letter (“Sincerely,”). A colon should be used in place of a comma in a formal salutation.
9. Separate elements when setting off a term for a larger geopolitical entity from that for a smaller one located within it (“Santa Barbara, California, is located on the coast”) and for elements of street addresses (“1600 Pennsylvania Avenue, Washington, DC”) (and dates (“January 1, 2013”).
10. Separate groups of three digits in numbers: (Let me tell you how to make your first 100,000,000 dollars.” (Because large numbers are difficult to scan, it’s usually better to use one of the following forms: “100 million dollars,” “one hundred million dollars.”)

From
Daily Writing Tips

Saturday, July 28, 2018

Every Writer Should Attend At Least One Writers’ Conference. Here’s Why.


Whatever writers’ conference you choose to attend, you should feel good about doing it: you’re taking an important and useful step toward realizing your literary dreams.
There are a lot of ways new authors can educate themselves about publishing and engage with the larger literary community. One is to join local writing groups. Another is to read blogs or become a Goodreads contributor.
But of all the means of jump-starting a writing career, perhaps none is more effective than attending a leading writers’ conference. In fact, even if you’re just aiming to become a better writer, you should attend a writers’ conference. Here’s why.
You’ll learn from professionals
A primary perk of attending writers’ conferences is the opportunity to learn about the craft and the industry from professionals.
You can do this by signing up for sessions, enlisting in workshops, or engaging in talks. The people who conduct the workshops and lead the sessions are often experts in the fields of writing or publishing. It’s hard to imagine a place where so many educational and inspirational resources are readily accessible.
Writers’ workshops also offer the chance to have your manuscripts critiqued — usually by industry insiders who are willing to offer personalized suggestions for improving your writing.
You’ll meet other writers
Where else can you meet hundreds of dedicated, interesting writers and publishers all at varying stages in their careers? It’s another major benefit of attending writers’ conferences. Chances are, you’ll meet someone with whom you really connect, and who knows what could come of that? You might start trading drafts or your new contact might even be able to connect you with an agent.
Writing is a solitary activity — publishing is not. That means you need to network and meet other writers and publishers who share the intensity and enthusiasm for writing as you do.
At the very least, you’ll make connections that will motivate you, but it’s also possible you’ll make valuable connections who can later review or otherwise endorse your books. You’ll also garner important nuggets of wisdom. Wherever you are on the road to success, you will meet others who have been there before and who are ready to help you.
You’ll meet editors and agents
Another thing you can count on at writers’ conferences is learning very useful information about the publishing landscape. In addition to writers, you’ll meet editors and agents who are looking for people who have a book or book idea that might make money for them — like you!
You might even have the chance to sit down with them face-to-face. This process is not only more likely to land you an agent than submitting your work to a slush pile, it’s also the best way to learn about what agents and editors are looking for, how the industry works, and which next step is best for you to take in pursuing your literary dreams.
You’ll get feedback
When attending a writers’ conference, one thing you’ll be sure to do is share your idea for your book with other writers and folks in the publishing industry. In doing this, you’ll learn a lot about the legitimacy and potential of your particular idea as well as how to improve your pitch when it really counts. The responses you receive in the moment will prove to be some of the best feedback you ever get.
And that feedback is powerful. Every time you share your book’s concept, the direction you need to take your book in — along with what changes you might need to make — will become clearer.
You might find a new market for your work
Conferences attract all kinds of writers. Some of them will likely write for markets you haven’t considered. They might even know of a publication that uses the kinds of things you write or a publisher who is looking for a book like yours.
Meeting these folks really does open doors, and a writers’ conference is one of the only places you can make so many connections.
You’ll leave inspired
Sure, you might meet another writer or publishing insider who can change your life — that really is a possibility — but there are other lessons, insights, and bits of wisdom available at these conferences that make them worth the trip.
Sessions, meet-ups, and happy hour gatherings can present unforeseen opportunities, along with lots of practical information you can put to immediate use. You might attend a seminar on how to prepare the paperwork for your nonfiction book proposal, how to format a manuscript, or how to send a query to an editor.
Whether you’re a newbie or a pro, these conferences offer the sort of nuts-and-bolts knowledge that can improve your writing and increase your efficiency in the business side of the craft.
At the very least, you’ll leave inspired. It’s invigorating to be surrounded by other writers — all that energy, hope, and determination is like a kind of electricity buzzing in the air. It’s infectious. I guarantee you’ll leave the first writers’ conference you attend hungrier than ever to actualize your writing dreams.
You can write it off as a business expense
Yes, you’ll get a tax break for attending a writers’ conference even if you haven’t started making money yet.
Look, at the end of the day, the proof is in the pudding. Ask just about every author who has attended a writers’ conference, and they’ll tell you the same thing: these conferences can catapult your writing career. They offer answers and clarity, wisdom and inspiration. They might even help you make a connection that changes your life.

STEVEN SPATZ
Bookbaby